What would I do with all your smart mouth?
Drop a million you can't get out
You've got my hands spinning
No kidding, I can't paint you down
What's going on in that beautiful mind?
I mean your magic can't be surprised
And I'm so distant to no one here
But don't be afraid
My hands on the walls
Because I'm breathing fine
Hello, how are you?
What happened was that I was just an officer, I had my job and a hobby like any other
The hobby was growing and when I started to realize that I was starting to learn about fashion
I was never good at every step
And about three years after the crisis they decided to give me a job and I said
I had two years of work to train myself and professionally I got a job
You've been a part of the three years
Yes, for two or three years
What requirements do you have to have a photographer?
Or do you already have a girlfriend?
Do you see a girl, in your case for example, and you say
I'm going to create her
Do you think you learn or do you start with this?
I think there's a bit of everything
I always had a lot of attention but photography
But that doesn't mean that I don't have to do photography
I just like it
And then I start to research, study, work with other authors
And that's when I become a photographer
I'm a photographer without a process or anything like that
It's because of passion, there are people who have a lot of passion
They give you a job and you have a marvellous first
We also need training
It depends on the photography, the subject matter
What message do you want to convey?
It depends on the photography
Tell us about your career
What did you do in your work?
Because you are directly in love
I understand why we found out about your career
You had made a couple of portraits for the Rista Cultural Magazine
So what is your daily job?
How does your daily job start?
My daily job is a bit chaotic
Because you have to be aware of social media
My daily job can be to work with a client
Who needs a catalog for his brand of clothes
In my case, because I don't know how to work in fashion
It can be books for models
Those who need to renew their books, change their jobs
Or it can be a work of art
I mainly use it for my work
That's why I collaborate with the Rista Cultural Magazine
I am very grateful to them
Because they are always giving opportunities to people who are starting
And I was grateful to them
And thanks to them I was able to help me in the beginning
I was able to start working in the Rista Cultural Magazine
There is a trick
It looks like you don't want to take pictures
You have to study a lot
The photography, you have to control the lights
You have to control the air-conditioning
I don't know if you can understand me
But here we have a photo of a catalog of Jo Jo Manning
And I have heard that there are photographers who learn from you
Just by looking at another photo
It is possible
And what is the basis?
It is mainly what I was telling you about the lighting
When I see a photo that I like
We have this black and white
We are going to see a photo that I like
And the first thing I look for is the lighting
Where the lights are placed
Because it is what characterizes the photography
And when you have the light
You mark a strong character
Because it is something softer
It depends on where you are
You make some effects or others
What I like is the main thing about photography
The light
And when you get into a mood
Like, for example, in my case
We have seen this girl in the air
She comes, she comes
She puts her shirt on
And you come and you go out
We are going to prepare
And at that moment
What do you like?
What sensations do we have?
Because, for example, I am not a photographer
Of a man like you
But I have taken some pictures
In the first time in my life
I had not been a model
And sometimes when I take pictures of the girls
Well
I don't know, there is a look
And at that moment
You turn on the camera and say
Don't move, don't move
What do you do when you have the camera?
As I told you, the photographer
Who prefers to work by placing the model
As if it were a mannequin
And it works and makes a magnificent photo
When I try
Maybe because of my type of direct formation
When I look at the photo
It does not work for me
Because I see it strengthened
Do you need the movement?
Yes, I need
I prefer to tell the model
What is the concept of the session
What do we want to achieve
What image do we want to transmit
What you are going to project
I even teach photography
For example, to inspire
And let them work
Both boys and girls
Let them work
Because I think a model always has something
All of this
So I think if it is already a role
To interpret
There is where you go
To cheat to comment
Where you go to look
The photographer in this case
Is photographer and director
Yes, a little bit
A little bit, yes
Just as always
When the girls take me
I leave them very free
But sometimes
Maybe I see a pose
To look at them
And I'm going to go back
Repeat this
I'm going to do this
That I liked
There is where I find
The gestures that I like
Here
Well, I thank you very much
The attention is a pleasure
That gives us the door to your studio
And friends
We will see you next week
At the same time
In the same channel
Thank you very much for watching
