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I had a person in the
in the house at the end of the course that always tells us and for the first time I find it very strange
that he turned to me and to the group that gave him the sculpture and said
Pa, be careful because this is a vice
I'm crazy if I don't do anything, if I don't build something, I take this time
I start feeling empty, it seems that I don't do anything, even if I have the work
even if I get to the end of the day of that tired work
only at the end of a week I don't produce something personal or I don't want to do anything
I start feeling like a phobia and I start feeling like I'm not doing anything in life
the need to produce is sometimes superimposed on the need to eat
and then you prefer spending the last money you have in 4 or 5 loans
to see a finished work that is already a bit to buy food
and then it sometimes becomes very difficult in that respect to your social life
because we have as another person, whatever, we have to pay accounts, we have to live, it's not
if we don't believe in our work, we and our friends, our friends
and I think that any artist needs this a lot to have friends at the moment
because they help us to give strength and help us to give feedback in relation to our work
because they are our sincere friends and in a way they never compromise
because of Ganyapom, because of a series of things, they never compromise on our work
and then we believe, we believe above all and more than anyone we are trying to do
it's also just who wants to be and through who wants to be, you go through everything
and you do everything regardless of the goals you have
but it doesn't matter, life is difficult for you
I was talking a little bit about Giorgio's work the other day
I think Giorgio's work has a wow factor
you know, that for many designs that he shows me, for many designs that he tells me
I'll do this, I know it's like wow
because I think Giorgio is one of the most intelligent artists
aesthetically capable of their generation
I really think this is an extraordinary artist
it was super quiet, super easy and I think it went very well
of course there are stress because I know that Giorgio works until the last hour
and does it live for five days in a row
but his work capacity and generosity in relation to his work
I think Giorgio's work is also an incredible thing, I think it's part of the project
and all of them welcomed Giorgio very well
I think it was perfect, it was awesome
I think it's worth it to be a plastic artist and to be a plastic artist above all
if we like what we do and if we believe in it
and that's it because as I was saying, life is difficult, art is difficult
and then we have to compromise our work or our condition of life
just because it's easier, so it's not worth it to be an artist or anything else
because it's a bit like that, it's just worth it to be an artist
if we believe in it and if we do well above all
what we produce is what we give to people
and I think that's the most important thing, feeling good what we do
what we do
what we do
what we do
I could be here to tell you, there is ambition that in 5 years I want to be in New York
I want to be here or there or I want to have been in 5 or 10 exhibitions
I don't know, let me walk a little bit
but one thing is right, it's really important to have a lot of things to do at the same time
if that's the way it is, at least it's a little bit like that, just that I can project my life in the next few years
and that's what I want to do
that's what I want to do
