The natural landscape is a theme that I don't want to compete with.
I think that trying to compete with nature is a lost battle,
but on the other hand I think that there are many classical artists,
the current ones, who have worked on the landscape and nature,
and I don't think I need to compete with them.
In fact, I'm not only interested in myself,
but also in a reflection of humanity,
a group of people who have built an artificial space,
because it is all artificial,
and they have built it to live, to do a series of activities,
and then it is something that is very interesting,
because it not only reflects the activity of the man,
but also how he serves him,
he also evolves, changes,
and I think he has always been interested in this aspect.
Changing, and above all,
in fact it is like a giant sculpture,
it is a totally artificial space that did not exist before,
and that has been evolving,
and that in addition to developing itself as an activity,
I think it is very interesting.
And it is also very interesting, obviously,
the difference between cities,
the structure, the urbanism,
the aesthetic of the buildings,
the architecture, which is obviously another,
it is very different.
In fact, I think that the whole urban landscape,
like the space of the camps I have made,
in principle it is all inscribed with the landscape,
I mean, I have been doing landscapes for more or less 20 years,
above all, I am interested in the space,
I am interested in the landscape,
I am interested in being able to describe the color of the space,
and in recent years I have made more urban landscapes,
also because it has been more capable,
I started painting it,
I was not able to make urban landscapes,
but I think it is more convenient.
The urban landscape has many elements,
I think it has the masses,
I do use my paintings,
I like them,
sometimes detail,
I like certain structures,
buildings of urban landscapes,
it is always a very loaded thing,
according to the elements,
I think that the eight that represents a sea,
or represents a landscape,
I think that they balance,
for me they balance a little,
my way of painting,
but also balance the view,
because the urban city itself is very...
it is too much.
Yes, I also put more material in the painting,
because for me,
I consider that painting,
more and more of a bidimensional image,
is also an object,
it is a physical object,
and I like it,
I like to take the material,
and also the colors,
I am only in the color of the color,
because the small ray that I can have,
helps me too,
after painting,
because I destroyed the painting,
the color of the painting,
and an attack that I already have,
I have a small ray,
I maintain this color,
and therefore I have the image of that attack,
in the form of a band of work,
with more consistency,
and for the other band of other things,
I don't know,
I think that what I always look for,
with the works,
is to make them in a way that I like,
and there is a painting,
if I make a painting,
and the stains that I put,
and especially the stains that I consider important,
they have a little more volume,
I mean, of material,
they are more fixed to the painting,
they are more permanent than the other stains,
that can simply disappear,
with an attack on top,
it is a form of,
of jumping,
a stain on the others,
little distance, this effect disappears.
The problem is,
it is not planned if it is valid,
the figurative painting or abstract,
the question would be,
what is the interest, the painting itself,
because the difference between figurative and abstract,
nowadays it is not figurative,
it is a difference without importance,
it has no importance nowadays,
maybe for a century it had this importance,
maybe the question would be,
if we are interested in painting nowadays,
I mean, I do not know if,
obviously painting nowadays,
that the images are all over the place,
does not bring the same sociality as before,
100 years, 200 years,
in exchange,
the work that many artists have done,
it can only be a painting,
and the grace of our painting
is that they have no use,
for so many images that are created
from pure freedom,
the limitations are ourselves and the mid-years,
the freedom is not to have a social function,
and this is only a basic painting.
For me, the classics,
what I normally say,
I do not have any presence
to the classical artists,
as we understand it,
the painters of renaissance,
or the baroque painters,
I do not have them as painters,
I have other painters,
for example, Anziel Kieffer,
Anziel Kieffer, the German painter,
I think more about his painting,
or a very good landscape artist,
like Dr. López,
which is perhaps one of the best painters
of urban painting,
or even American realists,
who, in fact, paint another concept
that I have already put in the interior,
which is perhaps more of a pop,
and I do not think that the works
are very conditional for the time,
and, more and more,
it is always secret that you have to read
with the key of the time,
you can not draw a painting of its time,
and you can not draw it as if it had been painted,
because it is neither good nor bad,
there is simply something that does not fit.
I am always trying to advance,
to be honest,
I do not think that I advance,
we go in incorrect directions,
but I am always trying to advance,
I am always trying to advance.
