Good evening ladies and gentlemen, all right.
Minor hanging in there, but this one.
Hammond orgasm.
This is either before the orgasm or maybe it's after.
Depends on the nut.
Maybe, you know, we're old, you know, but maybe by the end of the night we have one more.
This is the neighborhood boy, I'll tell you.
This is definitely the neighborhood.
One more time.
You probably walked through some wild shit last night.
Oh man, that was last night.
I was walking in the rain, around, around.
You gotta write a song about it, man.
That way it'll pay off.
You know, I got very close.
I was down at the popcorn bar.
Yeah, I'm so sorry.
You know, my friend James Brown, he wrote a lot of songs.
And when he would put the musicians in the studio and he'd say,
okay, play.
And they would play, you know.
And then he'd wait until it sounded good.
Then he'd come in and he'd grab the microphone and he'd go,
popcorn.
I just wrote me a song.
All right.
And then keep playing, keep playing.
Then he'd come in and he'd go.
Can you see him?
He'd go.
In there?
He'd go.
Hot pants.
I just wrote another song.
Maybe a little sound checky.
Very intimate, intimate thing.
This is like our rehearsal.
This organ has several stories.
One of the stories is that the vibrato scanners need to be looked at
by some qualified Hammond Organ Service men.
I don't really need that.
Someday maybe.
But anyway, we're going to play without it.
So, be understanding.
We'll be unscanned.
And it's a real B3 though, right?
Yes, it is.
Did you look inside, George?
Yeah.
Everything is original?
I didn't.
So it's B3?
Where did this organ come from?
Where did you get it?
Who had it before?
You know the Mugen Club in Akasata.
Oh, from a club in Osaka?
No, no, Akasata.
Oh.
Wow.
Did you ever hear about Mr. Yamamoto in Osaka?
He has a YS organ company.
Oh yeah?
Yeah.
Yamamoto, contact him.
Tell him I told you to contact him.
And maybe he can send somebody in Tokyo to fix this.
Oh, okay.
Yeah.
He knows all the people.
He's been in the Hamilton scene a long time.
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
Thank you.
Thank you.
My name's James Itt.
That's that.
My name is James Itt.
James Itt.
That's called James and Wes.
A little tribute to Jimmy Smith and Wes Montgomery.
So the album, that's by the same name.
the middle, I don't know what they did, but they had to work it out, you know, you know,
I'm appropriate for the Hammond orgasm club, you know.
Thank you. That's called James and Wes, a little tribute to Jimmy Smith and Wes Montgomery,
saw the album by the same name and you can tell it's the original James and Wes record
if you see that they are sharing a hot dog. One guy's eating one side of the hot dog and
the other guy's eating the other side. When they got into the middle, I don't know what
they did, but they had to work it out, you know. Yeah, appropriate for the Hammond orgasm
club, you know. Alright, we're going to try a little bossa nova here and see if it works.
And I wrote this in Paris for a very sad young lady that I met in the cafe. She pretended
that she couldn't speak English and wouldn't speak to me for about half an hour, but I
was very persistent. It was my first time in Paris and after a while it turned out that
she spoke about five or six languages, but she was sad even with all those languages,
she was very sad. So I went back to my hotel room and I wrote this little melody and her
name is Lydia. So it's called Lydia's tune. And I don't know where Lydia is. Lydia's gone,
but the song is still here. She's somewhere. Maybe she'll see. Yeah, right. She moved.
She had a lot of books, you know, took all the books, split, you know. Okay, it goes
like this.
The bossa nova bossa. It goes like this.
No, it goes like that.
Yeah.
You got a coming.
Music
Music
Music
Music
Music
I just knocked myself over, man. That was fun, nice cats, very nice on the cans, man.
Very nice.
Should we try funky tunes?
Yeah, let's see. Can we get a little bit funky?
Yeah, that was called Lydia's Chin for my first album.
And we recorded that in the same studio where John Lennon did his last recordings.
And that was amazing, man.
Because when the cats went into the toilet, they said,
Man, John Lennon was in this toilet, man.
He took a piss right in there, you know.
And they came back into the studio,
God can't believe it, you know.
He really gave us a big inspiration to the music, you know.
Because the Beatles, we're all children of the Beatles, you know.
Everybody a Beatles people over here in Tokyo?
No?
You remember the Beatles, right?
They're Rolling Stones.
Yeah.
Well, you know, we saw them the first time for real on the Ed Sullivan show.
And that just blew my mind.
And they were so good, you know.
And now you can see it on YouTube.
And they're still good, you know.
So thank God for YouTube.
Speaking of YouTube, we got a lot of YouTubes.
Because I got a TV show in New York for 34 years on cable TV.
So if you look me up, and Joe is on there,
and Koe is on there, Funky Bernard Bertie,
and some other cats.
We have a TV show in New York every Friday night.
And it streams.
And it's called the John Hammond Show.
Joe's on there, Koe is on there.
And all our friends, Bernard Bertie is going to be on there.
And this is the theme song.
It's called Late Rent.
It's a shuffle that goes like this.
It's a shuffle that goes like this.
It's a shuffle that goes like this.
It's a shuffle that goes like this.
It's a shuffle that goes like this.
It's a shuffle that goes like this.
It's a shuffle that goes like this.
It's a shuffle that goes like this.
It's a shuffle that goes like this.
It's a shuffle that goes like this.
It's a shuffle that goes like this.
It's a shuffle that goes like this.
It's a shuffle that goes like this.
It's a shuffle that goes like this.
It's a shuffle that goes like this.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
This is the XK5.
