S photographs einen.
Gyda hyd yn rhywbeth.
Fyso Aberteidolio ein pan dim.
Rwy'n meddwl이고 am yr angrash SIw ddim daeth.
Oni ar ardennig gyfoeddiant ar ôlbarthwyr arlyg等等ol
ymgyrchu yma hwnnw, fwy colle celestialu.
Iddyddur unionid mai ar liberties reo
ryuxion yn un� Rob θrill yma daw angen.
Rym ni'nuscolniwn wedi cyfiohus
..y'n gроб i gyd i'r gweithio'n ffordd y ffilm yw'r yst cut air am team Heatherington...
..eim ansстиwn neu ansстиwn fylinell chi heb, a ddugiadau a bywyddaeth efrybeth yn cyng�.
O'ch gwybod addysg, roeddodd Sometimes Heatherington y byddwn gwir vedio'r fldeig...
..on Ca وهid ola에in yr rhan o mynedd hon yn�enol phelfiaid ycy meer yan ardayn dsiFejnol...
..on holl g sledon amna ddfastediliau cwrs humu!)
ac anifyrt yn yn meddwl am dde�ins neu cynhurwyr llawer o er Understanding Cywith Casos.
Rwy'n deall yn mynd o feddyliadau hefyd â meddyl digon.
Pi pelo'r meddwl a'r amladau allan neu cheir gwyrdd.
Ned increases yn yma byddo ein ddechrau.
maen nhw'n bwysig, rydych chi'n meddwl, y bwysig i'r llawddol, a'r newydd, y stannu newydd, y newydd a'r mecanysmu.
As our workers have evolved over 35 years, we have increasingly understood the power of imagery to go alongside the words which are the heart and soul, and have for a long time been the heart and soul of human rights watchers work.
Tim Hetherington was one of the first people to really make us understand the power of images for social change and for human rights change.
We first worked with Tim in the 1990s when he was living for eight years in West Africa covering the wars in Sierra Leone and Liberia,
wars which were characterised by appalling atrocities and terrible levels of human suffering.
In subsequent years, we worked with Tim in Darfur, in Chad and Sri Lanka, amongst other countries.
Through working with him, we understood not only the importance of imagery and powerful professional imagery,
but we also learned the importance of working with photographers with genuine humane insight and genuine concern for the lives and wellbeing of those whom they were documenting.
In recent years, we have developed further relationships with photographers.
We have used more and more imagery from around the world. If you go on our website, if you look at any of the reporting that we do from crises and non-crisis around the world,
you'll see that increasingly we recognise the power of visual imagery in the world more and more attuned, not just to visual imagery, but the speed of producing visual imagery through Instagram and social media.
I urge all of you after the film to go to our website and look at the work that's done by Marcus Bleesdale from the Central African Republic,
one of the most egregious and violent human rights crises of our day, to see the powerful images that he's producing alongside the human rights documentation of our human rights researchers.
Let me just say one other word to finish about journalists and journalism and particularly photojournalism.
Over the nearly 35 years that Human Rights Watch has been working, we have always given particular importance to the freedom of the press.
It's not that we think that journalists should have more human rights than anybody else, but we recognise that a free press and an active press
and the press able to report on wrongdoing and corruption and human rights abuses wherever they may occur is a crucial and critical element for a free society.
It is absolutely necessary for all of us to be able to claim our human rights and to ensure that governments and authorities around the world receive the scrutiny that they merit and deserve.
It is of enormous concern how in so many of the countries in which we cover from tyrannies like Russia and Belarus to war zones like Syria and Thailand now,
whether a famous photojournalist James Nochdy was just shot in the leg yesterday, how journalists are in the front line of repression.
Just last week in Ukraine we documented the fact that the police in dealing with protesters were deliberately targeting journalists and medics.
Journalists of course because they did not want to see them reporting on police brutality and abuses.
In Syria in recent times over 30 journalists have been detained or disappeared by armed groups or armed gangs for various reasons.
During the protests in Turkey last year, Turkey being the country which locks up more journalists than any other country in the world, we saw journalists being harassed and detained and attacked.
Freedom of the press is a critical element of any human rights work and in particular the power of photojournalists to bring images from the ground, inspire us, move us and encourage us is a critical area of human rights work.
And I think all of this will be brought up in this brilliant film that you're about to see.
I'd just like to finish by thanking all of you for being here and I would like to say a special word of thanks and welcome to our friends from the Dutch Postcode Lottery.
I know we're in the audience today. We thank you for being here. We thank you for your support for us and your relationship with us. We count on this a lot.
Please enjoy the film. Thank you.
