You
should
need a bicycle to drive through his equipment.
But he also can only work with one.
I mean, for peace, you mix anyway the different sounds from the synthesizers.
Of course, it gives you more life, you know.
In the very beginning, they called the German rock music,
Crowd Rock was like Amon du, but the electro scene,
I mean, it must have a different name and not Crowd Rock.
It was like starting Edgar with the synthesizers.
You know, like tendering him started with the synthesizers.
This was an absolutely different music from before
where we was working with an organ, with guitars.
Maybe I had, I was working, because I'm not a musician, you know.
I was just a normal artist, a sculptor,
and I was interested in sounds.
And I had the knowledge about the old things,
like, you know, what was the start of all this experimental music,
like Stockhausen Cage and all this, what was around,
and also music concrete, because I'm the oldest from these people already, you know.
I'm the oldest, you know.
I pick up sounds from the street, right, with this hat, mic hat.
There we move with the small amps and the cassette players.
Come on, go a little bit forward.
I suppose in that way that it is easy to make a concept with this, what I have,
as single tracks, solo tracks, and you put them together like you feel.
Not like I say, eh, you have to do it like this.
Of course I have also concepted concerts where four CDs,
now in the former times it was with cassettes, CDs running together by example,
and you have to start them nearly the same time.
You can run a little bit out of this order,
but then comes the mixing, loudness, and this could be always different.
And then this looks them later on.
It's all tiny, a tiny screen, and with a tiny program, you know, that's not so much.
But I don't need more, not more as I have now.
Let's see if it just drops somewhere in.
See the single tracks all there running, you know.
And what you hear immediately is that's not pop music, that's not dance music.
These are noises, different noises.
That's not pop music, that's not pop music.
What I really found was the first, the voice was the group, you know,
what means noise and cluster.
And of course not to make money, of course to have fun on stage,
because in this time I was something, you know, I tasted the honey,
the honey is to stay on stage and get applause and do something.
And you have there 100 people, sometimes potentially we played about 1000 or more people,
you know, free outside, you know.
And it was a real interesting thing for me to be on stage like an actor, you know,
and make there something really crazy and to have audience and what clapping hands.
And it was a great one.
Now I'll give you something to look.
Let's go.
I don't have sweet melodies.
I don't have harmonies, but in normal context to other.
I'm just, yeah, I know I have not a big audience because it's harsh what I'm doing.
But these people who stepping in and sitting in the sound of harsh different noises
and becoming on the very end similar to it.
Young time I was learning in the publication of study images.
If you would stay very long there the whole day he was working there
and the evening the turning the machines one after the next dog.
Like it was always more quiet, like the fade out.
And still there was one machine really loud.
And all the others was already very quiet, washing hands, closing away, you know.
And still there was one guy who had to finish something and it was still there working.
And this situation of a big, undifferent noise, you know,
a long sheet has a different sound and the space sounds always different
if one comes to it or one is less.
And on the very end it gets absolutely quiet, you know, a big hall where you have echoes and everything.
This was an impression and never forget.
The trace of a caravan in the desert goes like the bird's fly in the air and the fish in the water.
The trace of a caravan in the desert goes like the bird's fly in the air and the fish in the water.
The trace of a caravan in the desert goes like the bird's fly in the air and the fish in the water.
