So this is um, I'm a dirty whore and so is my mom, which is actually an idea pitched
to me by my mom who she's like, you know, just to comment on MTV how it was years ago
how it was going downhill, but this is probably the most ensemble cast that we've had.
A lot of people who are in the show at any other place, like RJ, and that's Corinne,
and Lindsay, you saw earlier, DJ, Andy, Andy is in it later.
That's Brian who was just chugging that, uh, Jaeger, and he's one of the, uh, uh, directors
of the actor line.
That's RJ.
That's the joke that makes this whole show, this whole like minute worthwhile is functionally
shark in the face.
And then I would love to honestly see a show called I'm a Dirty Whore and so is my mom.
Uh, I think that it would have to be self-reflexive enough to be worth, worth a watch, I guess.
But yeah, I actually lost all the footage of that, so that's pretty much the rough cut
and I just added titles.
I, like, that was the rough cut pretty much that you just saw.
I had the titles for the final that only had the rough cut, I didn't have any of the footage.
This is my bedroom at the time, and this was a, uh, I don't know.
I just, I don't know, I guess I just, you know, it's like someone was making, uh, like
my dad's dead joke or whatever, and I just thought it was kind of, I just figured, and
maybe it was like right next to when someone said who's your daddy or whatever, but anyways,
I kind of put it together and I thought it would be funny and, uh, as a quick, this is
like one of the quick little, I call this a transition sketch, just like, I think this
is maybe 20 to 30 seconds max.
And the who's your mom part, like, was not written by me.
Someone else suggested that, and I just decided that, you know, having a lot of humorous input
is always worthwhile, especially in a comedy.
So here comes the producer again, uh, my general statement on, uh, Hollywood in general, and
this is kind of when you see how Hollywood he is, because the, um, the movie that he
pitches as you're going to see is one that is so intricate and has so many themes thrown
into it that it couldn't make it.
It would be like, it, like Spider-Man 3 with all its villains and stuff.
It would just be too much, especially for a sketch.
And the sketch that, and so I wanted it to be like, hey, they're going to try the sketch
that he's going to do, and then they're going to get to a point where it's going to not
make sense, it's going to not make sense so much that they just cut back to the acting
line.
They're like, that's enough.
What is going on?
You see the whole sketch pretty much, and it doesn't make sense.
It doesn't really resolve.
And then you cut back, it drops it for the rest of the show, and, uh, then you're left
essentially without a finale, even though this was the finale.
I was trying to play with the premise a little bit and actually make a sketch that fit with
the premise.
And I, I think I did it all right, but this sketch was the nightmare.
Um, I guess for the first part, I'll just focus on explaining the whole story, and then
for the second part, I'll focus on the nightmare it was to make this fucking movie.
I love this movie, but this movie went through so many drastic changes, rewrites, and just
one, I mean, it was just terrible.
But I'll get to that after this, so, all right, so here's Andy again, and she's great.
She's awesome.
And, uh, basically this is filmed in my friend Bailey's room, and really quickly, and this
is just the intro that kind of is like giving the, the prelude to, oh, there are zombies.
And that was not put there by me.
That was just put there by, I think the RA, uh, when they were moving in.
And basically, so what you're, what you're hearing here is that the whole campus is dry
and, um, that no one has weed and that they don't know what's going on, and they don't
know what's going to happen.
So from here, we're going to go to the pow wow scene that was, uh, dubbed that by Maddie,
who directed this whole thing.
This is the big one.
Maddie is like the main one.
She also did RA on Booty, which I did not mention the very first sketch, but, um, so
I guess she did the very first one and essentially the very last one.
Um, but basically in the pow wow scene, you're going to realize that he has, that the main
dealer of, uh, the campus has this new type of weed called super power kush that gives
you superpowers.
So there's, okay, so we have zombies and superpowers.
The zombies are because of the, uh, lack of weed.
Everyone has turned into zombies and they're just looking for weed.
And then you have superpowers because now here's the pow wow, they have this new type
of weed called super power kush, uh, they're going to smoke the super power kush and turn
and go into a, uh, and you know, it's going to be this like musical number.
And basically, uh, right after that, they get attacked by zombies or people looking
for weed.
And then we split off non in a non linear fashion and followed, uh, different pairs of characters
through the whole story of the, of the film up until the very finale.
So basically you go from point, like from them getting chased by zombies to the almost
end.
And then you go all the way.
If you only follow say Michael Pepp and Michael Curtis, those two are the first and you're
going to see that one in this part.
Uh, and then after that, it's going to cut all the way back to the attack and show and
follow Leanne and, um, do or Maddie Knox and Stoney is Leanne.
And then you're going to go all the way to the climax and then you're going to jump back
again and follow Garner and his, and his twin talus through the whole plot.
And then once they all meet up, they're going to have the finale.
So that's, I mean, that's kind of essentially what's happening.
And I think that that reads at least, but there are definitely some plot mistakes.
And like, when you hear about what we went through, I mean, there had to have been plot
mistakes.
And I realize that any form of a film was able to come out of this with how much shit
we dealt with.
But so this is another song written.
It's, uh, this is actually just only Matt Tanner, but it was made for Ape and I'll
know.
Um, but, and all these bands are, uh, Snazbury Studios that I'm mentioning pretty much all
of them.
Anything that has to do with that, I know of are, uh, Snazbury Studios, which is the,
uh, in association.
So here we go.
The Labyrinthine Mind of Mr. McFundie.
I suppose I'll just start the story now because I guess Big Mike, uh, or Michael Curtis in
the Red Hoodie.
Nice, one of the nicest people I've ever met, but, uh, in between this, so this whole sequence
was filmed, this opening outside sequence was filmed in the first semester that we were
filming this sketch show.
And all of the rest of it, everything that's going to take place after this, um, to play
or was filmed the following semester.
And in between these semesters, Michael Curtis, for no reason, I'm not kidding, for no reason,
they had no evidence of any reason to ban him from campus, but he got banned from campus.
That meant that I could not film with him in the location that I was meant to film.
So, uh, a lot of this, uh, that we're filming, we, right here.
So he was not allowed to be here.
He was not allowed to be here.
And a lot of this was filmed when, uh, security was, you know, monitoring.
So we had to like, at their times when we had to hide him in a room, we had to lock him
in a room and just pretend like he wasn't in there.
He would just be in there alone and we would be filming bullshit, nothing, because we couldn't
progress because we needed him, but he couldn't be seen by security because if they saw him,
I'm not kidding.
They were informed to call the police.
For no reason, because other than that, he's a big black guy, I'm guessing.
He was no threat to anyone.
I'm a bigger threat to people than him.
So, um, there were times when we were filming this, and we have way too much footage of
certain things because we had to keep filming and act like we were still going.
And security, you know, they're bored.
It's like a small art school.
There's not stuff happening.
There's not violence.
There's not, you know, people just moving weed and hiding, you know, whatever, but that's
it.
And so they would come and they would just watch us and we could not film with Big Mike while
they were there, because what happened was at the end of this production, this day of
shooting, this night of shooting, rather, at the end, when we were rapping, they came
in and they fucking saw him.
And this was the first of the second leg of production after we shot all the outside
stuff the semester prior.
This was the first day.
So there was still footage that I needed with him.
And basically they caught me and called this terrible person who, let me think, what name
will I give him?
Let's say his name was Peter Romero.
Terrible person, just a horrible, horrible man, and he really was upset.
Very, very, very, ooh, it was bad.
It was really bad.
But anyways, let me talk a little bit more of the themes in this movie before I get onto
that.
Basically they're like, all the super powers are very ironic.
So for example, the twins, his clothes are there, they can teleport each other, but they
cannot teleport anything else, so not their clothes, not anything.
And that doesn't read very well in the movie.
Obviously, Michael Pepp's X-ray vision, not working with his glasses, is explained pretty
well.
And then Big Mike, he can read minds, but it's in French.
So basically all of these super powers, all these super powers, don't work except for
Leannes, who's the only one that wouldn't make sense to work because it's photosynthesis.
But anyway, so this is the end of, this is about to be the climax, right, as they start
running down the hall.
And that is the end of the first part of this sketch, and the fourth part of the comedy
comic sketch.
Be right back.
