We always choose a theme every year, and here the Q&O survey was really the theme that we all decided in common, and so the pieces come according to the theme every year.
It's to attract the spectator and make things a little more fun.
We wanted to do something innovative, since it's a little bit like the fashion this year, and so here it is, the mannequin challenge.
It was really the big thing, the masterpiece of the concert.
It's Frédéric Durman, who had the idea, he likes to do beautiful musical programs, and for the audience to not feel bored, he also likes to add a little theme, and this year it's the Q&O theme.
It's Frédéric Durman, who had the idea, he likes to add a little theme, and so on.
Concretely, we have a fisherman who is dead, who was killed by one of the suspects who was present during a reception, and so my role is to interrogate all these suspects to find out who the murderer is.
So how did this survey start? For the moment, we have already seen a few interrogations, the one of the little girl, the one of the gardener, or even of the colonel.
And so I let the audience the choice to discover who the murderer is, so I'm only here to give clues to help them.
Because someone among you would know the identity of the culprit.
Come on, don't be afraid, have fun.
Hello, what's your name? Pascal.
I'm Frédéric Durman, who is the murderer? The colonel.
Why is that? We don't know the reason yet. There are probably some things that are off, but I think he lied.
Do you say that because of love? Not at all, but I felt wrong.
Alex. Alex, the gardener? Yes.
Why not? Alex, the gardener.
Just between us, what can you tell me? One or two clues, tell me.
I would like to follow very clearly what I say, because there are small indications in the interrogations, the links are made of what we find quite easily the murderer.
It interests me, do you know how the shooting started?
Unfortunately, I couldn't be here that day, so it went very well.
They did that on Saturday, here, in Sémurla, in Ceram. And each one brought a little bit of material, each one, and so they did their little scene.
They wrote the sketches in the pre-albums, the interrogations, everything was written in the pre-albums.
In which case, you are not here, you are not here, you are with your family. And that's why everyone has to agree that you are the murderer.
How can you say that I am the murderer?
I am the murderer.
So yes, it's the annual concert, it has always been a success, it's the first year where I participate, but it has always been a success.
And tonight, we didn't expect to see so many people, we had to add chairs at the last moment, it was more than expected.
So the spirit, we have a lot of very varied pieces, there was therefore a piece, a walk a little military, with the tambourines and the clarins.
There are also music that make a lot of thought to the music of films. Yes, a little bit of everything, a music that made a little bit of Pirate of the Caribbean.
There will also be a little bit later the march, the belly dance. And also animated drawings, there will be the music of the indestructibles, which is very, very difficult technically.
And lighter music like Laos, the Pixar film.
We are not at all in the traditional, do you know how it is done?
So rather in the traditional, it's true because we also live with its time and then you have to interest the audience, you have to try to adapt.
These are very pleasant pieces to play and also pleasant to listen to.
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Music
When we are young, we are made up of about 20 young musicians from the School of Music of Souffle-Neim.
Some of them are already part of the Grand Armonie because they are very strong.
And there are regularly children who come from the School of Music who come to join the orchestra.
We are always super happy to welcome them because it is very important to have this orchestra who is finally the vivier of our harmony and who makes our harmony perpetual for many years.
And for the little ones, it's great to make the orchestra motivated.
And of course, for them, it would be too complicated to come right away in the Grand Armonie because the level is too high.
That's why we created this orchestra.
And so the goal is really to teach them to love playing together and to have fun playing together.
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I do not come back to the performances because what is done is done.
And I am very happy because they have made themselves happy and that is what is most important.
All the false notes are not serious at all.
There has not been much.
But the important thing is to be happy and that is that the audience is making fun by listening to us.
That's what matters.
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Applause
