Okay.
There was once a kid, his name was Subnick, and he was living in the village of Barrawalee.
People reside.
There's a time when they took the boys, the young boys, ages from, let's say, between
13, 14, 15, and then they would have them do a chore to prove themselves as men.
And there was Subnick paddling, paddling, going out, and he went to one of his favorite
spots, and he started fishing, and he waited, and Subnick waited, and he waited.
And while he's waited, he starts thinking, okay, here I am, I've been fishing for quite
some time, and I have not caught a single fish that was very worried because he's thinking
to himself, how can I even think about going back home without a single fish?
So there was Subnick, you know, with this major dilemma, and out of the blues, you know,
you know, absentmindedly, he, the container, the container he had with the hooks and the
lines and the baits inside of it, he turned the container over, and he started using it
as a drum.
And there was this song, there's a specific song that normally when you have a crisis,
when you're in a state of hopelessness, you, people in our culture, in the Garifuna culture
usually would sing, you know, a song to ask God, or to ask the ancestors to assist them
in their time of helplessness.
So that's exactly what Subnick did, he took the drum, and he started to play.
It's a semi-secret and semi-secular rhythm.
It's a semi-secret rhythm.
