It's a very living and breathing show and experience. Making a singular painting is
something we love doing, but it's a totally different kind of vibe and, you know, really
letting people interact with the art. I think people are so used to just kind of standing
back and looking at it and not being able to touch it. I mean you come in here and it's not,
you just hear people laughing and screaming and that's not something you normally hear when you
go to an art opening. It's like you come in here and the sound is, it sounds fun.
I mean part of the reason we did this was an extension of some of the urban art that we did.
You know, you put up a poster of Stencil on the street. One day it's there, the next it's not.
You know, you get people that are like, I drove all the way from, you know, exactly Nebraska or
something to see this show. I came here just for this knowing that it's here and gone and that's
a really gratifying thing I think as an artist to know that people would make that trip.
You know, a lot of our work tries to play off certain popular culture reference points in a way
and things that are almost ubiquitous to the point that we all accept them and it's kind of taking
some of that and just, just playing with it and turning on its head and having fun with it and so
the games give us a nice ability to be able to do that and let people kind of play with that line.
It's been quite the experience being here on Washington Street. We picked this location because
we like the element. It's got a little bit of seediness, just the right amount.
The show is a huge logistical challenge to pull off like that because it really is sort of a
project that we fully jump into and really try to think of every little element of it
and coming down here just to find it and kind of really find what that right space is was
a bit of a journey in itself but it all came together and that's the beauty of the show.
