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The interpretation is more orchestral, more vocal, theatrical in a quite global way compared to a written one that is already very present, a partition that is really defined.
There are plenty of instrumental parts, there are all the accompaniments, and then there is this famous chant on which you really have to work, which is not much, otherwise it was something of an intermediary between the song and the word.
I think that there is a underground current that does not belong to the writing culture and which for me is very important to explore through this music and which gives several keys precisely to make this music much closer to us.
There is an element of invention, but which says invention of course, says work, and that's why I think it's a repertoire that must be particularly worked and prepared.
We can't read it from Monteverdi and put it in value right away.
All of a sudden having the possibility to climb an opera is to be in the music, whereas before with the theater, I have fun with the music that looks at the theater, whereas there, the music is really the center of the theatrical project itself, I mean who becomes the opera.
We have immediately thought about this return of the list because although this hour is very different from the Popes crown, it is another world, another history, a universe that is much more, I would say, much more brutal, much more primitive, it is still the same language.
I did not have the chance to meet Jerome, he did not fear the game, so it gives a freedom as a stage and it opens songs even more.
I had the chance to meet Jérôme, he didn't fear the game, so it gave me the freedom to put on stage and it opens songs even more innovative and grander than we could imagine at the beginning.
It's quite funny because the interpreters receive messages from him and from me, said with totally different words, but they want to say the same thing.
It's true that that's why we wanted to continue this work together, that is to say that I think we have a really identical conception of the theater, of the music, of what we want to offer to the audience, finally.
