music
It was a necessity, obviously, to hear something again, something that was inside me, but I couldn't
learn how to bite, because I didn't really need the ground under my feet.
Maybe it's because I want the ground.
First, it was a magma of stuff inside my head, furious, perhaps even angry with the world.
Then, slowly, the ground made me rethink.
It was a beautiful exercise of life until now.
I wanted to go back to the ground, first of all,
I wanted to go back to the ground and to taste it,
to breathe the air again, to be under the sky.
I wanted to do my personal experience,
clearly trying to get more information that seemed more honest to me,
also very critical in agriculture, for example,
those of the fertilization of the soil, the knowledge of the cycles.
Very often, many sources of knowledge are false,
and they are not true.
In short, I discovered this on my skin, I discovered it living on the ground.
To start from scratch an experience on the ground is almost impossible without a guide.
In 30 years, it has been closed.
It has given me more than what I expected,
and also that experience has been part of this return,
because it has been an exceptional man.
He told me, if we have to buy a land,
he said, if we buy it, we have to learn it from the farmers.
Then he said, yes, I come, he came and I'm going to learn.
He asked me, yes, I'm going to learn.
I'm going to learn in a better way than the farmers.
He gave me the set, guys, the set.
He gave me the set to fight in the middle of the fields.
After, clearly, the way to live, the head,
a little far away, light, right?
Women, if you don't have the way to treat them, you're done.
Women must treat them in a way with the carrot,
like the horses, and with the stick.
You find a beautiful girl who is maybe tired,
who doesn't go anywhere, who pretends.
Bring her here, I'll show her now.
The land is on the ground.
You don't have to think about replacing it or breaking it.
You can't break the land, because it gives you what you gave it.
With the land, you can't break it.
You can't break it, you can't break it.
You can't break it, you can't break it.
You can't break it, you can't break it.
You can't break it, you can't break it.
You can't break it, you can't break it.
You can't break it, you can't break it.
If people don't come back to the farm,
to touch, to hear the agriculture,
it will always be in the hands of the great people
who can make absurd investments behind the mechanization,
behind a food that will always be more selected,
because they will select 6, 7 varieties,
they will modify the seeds,
and we, who are no longer worried that we lost the heritage,
we won't recover it.
It's not that easy to recover a heritage like this.
I think it's not easy at all.
You have to do the seeds' banks.
I went to a fraction of Montaldomarco,
Portia, I don't know if you can guess.
And then I dressed well,
with the beard, everything dressed well,
the wife is doing it from the window.
Where is José?
José, because he was calling him José.
Where are you going?
You're going to Portia.
Oh, when you're cute,
you're wearing a nice dress,
a nice hat,
you're wearing something that goes to Portia to get it.
You go up, you put it on your bed and say,
you know, oh, this evening I fell in love,
you see how beautiful it is.
In short, he is making love, he is repeating,
he lies down and he looks at the horse,
he is well, I am smooth.
He is doing it again, José,
he has never brought it,
but now that I'm going there,
That's it.
