["Pomp and Circumstance"]
["Pomp and Circumstance"]
["Pomp and Circumstance"]
["Pomp and Circumstance"]
["Pomp and Circumstance"]
["Pomp and Circumstance"]
I'm very much with me.
I concentrate only on dancing, on my partner and myself.
And everything else around me, you forget it, you turn it off completely.
That's why Estango is so relaxed for many people, because they can turn off the whole everyday life.
And when that happens, you start to discover many things, many things in the partner and also in yourself.
You learn to fully recognize yourself and you discover many sides of yourself.
And when that happens, you start to discover many things, many things in the partner and also in yourself.
And when that happens, you start to discover many things, many things in the partner and also in yourself.
And when that happens, you start to discover many things, many things in the partner and also in yourself.
We train here in the morning, we always do a warm-up first and then everyone dances a solo or two.
And then we dance together and I can just say that I'm happy about it every morning.
So dancing with him, yes, I think that's the most essential thing for me to do there.
It's also more important to me what happens here in the morning than what sometimes happens on stage.
For me it's always different, I sometimes come to the office in the morning and I don't feel like it.
And I see it a little bit more at night than in the morning and our boys sometimes see it only as a job.
You have to be very clear about it, it's an exhausting business.
But it still makes me happy and it's different every time.
And I think that's exciting.
At the end of the day it's not a office, but it's like that and you use your body as a tool and your body is different every day.
