You
I always wanted to
to have a place
somewhere
where
people come
to work
to have the opportunity
to work
and to be a part of it
and to have a better idea
We don't want to do something
and to say that we are the only ones who can
and we are the only ones
and we are the only ones who can
work in the form of a dialogue
we are the only ones who can
do something
and we are the only ones who can
manage everything
because we are all
very intelligent in the future
and we want to get there
and we want to get there
English Subs.
Well, before I thought,
c3 should be c4
even if I said c3 c4
The idea was that
under a floor roof
we could sour
various labs
and various other透 이제
which would fill
with a certain information
or some experience
Something like
for a picture
a photo
a short video
is primarily for audio or recording studio.
Where people have free access,
the only word is,
the products that are made there will remain free.
That is, we are only talking about a presentable state
and soon for this purpose.
It happens to me,
to see the space,
and it usually happens between
you and the others,
when you destroy each person.
Before you were,
you looked like the dream of a dream.
Yes.
I want to,
when one day someone comes,
a little man,
20 years old,
with some idea,
someone tells me,
what do you think?
And then I have the ability to say everything.
I am.
And I really am.
I really am with you.
And I really am with you.
At many levels in Bulgaria,
this beginning,
the phase of catalyzing one person,
turned out to be
that this thing was created by many people.
And from the very beginning,
the experience was a little different.
Because
with all the institutions,
in which art can happen,
there should be open places,
which are not forced to happen.
Yes.
You see,
the institution is very important,
which is very important in art,
with one tablet.
And everyone can draw
this art,
three dimensions,
to change colors,
to change something else.
And no one can,
but three.
One of the things,
which has no border,
that border depends on
where you can draw it.
Or, of course,
you can draw it.
It was interesting.
It was interesting.
The box was created in 2004.
And that name was born
and the idea was to have a space,
which is a physical space,
not only an internet space,
in which every young person
has a relationship
to computer-generated music.
He can freely create
and create his own art,
regardless of the musical industry.
Really,
he has a huge interest
from the whole group,
which are young people,
with the exhibition
Darby Naly and Tavanti
in computer music
and sound processing.
He is a very young person,
people from the forums,
from the pre-internet space,
because that's where
they formed Evox
and other similar organizations
and projects.
People from our community
and the people we met on the label
need to promote
some way,
some way,
what they do.
And we made this competition.
The first competition is Remix.
I'm sorry to say,
but this one has a huge interest,
a huge interest.
A lot of people
represented their music
for a few months,
a month and a half.
We wanted to make a Remix
for the first time,
but we didn't.
We went to the website.
And this has a huge interest
in Bulgaria.
It has a community
that needs to be developed.
It needs to be created,
it needs to be shown.
The group itself
has created
projects for
folk music,
which at the same time
are very important.
And after that
we created the songs,
which are all
part of the common sense.
In my opinion,
they are our ideas
that have a different motive,
a different size
of the hall core
and in the lyrics
and in the music.
It's something very interesting.
We called it the Balkan Jig.
At the very beginning,
with Nikolay Barovskiy,
we talked a lot of ways.
One is possible,
in a perfect world,
we have to
create ideas
that we have,
that we can develop.
And the other,
because we don't have
any other ideas,
we have to
develop.
In any case,
the goal was not
to connect
more people
to the development
of this studio.
We are not students,
we do
the right thing
for the film.
It's very necessary.
We need a script,
we need a team
to show the film,
we need to meet
a friend,
a sister,
a friend,
a colleague.
We need a script
that we have made
and that of a colleague.
Nikolay Barovskiy,
for the first time,
studied as a director,
I didn't know
Nikolay Barovskiy.
We have a script
that we have to meet
with those
people who
want to learn
what we are doing.
First,
we want to make a festival
and to show
that we can
create something like this.
We have a
very professional
studio
that can be
created
and can be used
for almost all of us.
We need
some kind of project
and we need
some motivation
to make it.
We need
to make sure
that we have
a need for this.
The question is
whether we are talking
about the freedom
of art
or in general
as for
this
important form
in which
business
and money
The idea of freedom
of art
in some extent
makes the idea
meaningful.
It makes the idea
in the middle
that it can be
free to develop.
Talks about
freedom
which
makes me
free to
experience
there is no
free to experience
without freedom.
The
freedom of art
in this way
is so strong
and absolutely
beautiful.
For a long time
as a result
of the air
and for
the experience of Bulgaria
it means
that the center
for free culture
is something
that
such a state
of art
needs
a lot
and there are already
young people
who support
art
and will naturally
experience it.
Artists
I want to see
what is happening
around me.
I don't know
if you can hear me
and so on.
Free
free
free
free
free
free
free
free
free
free
free free
free
free
free
free
free
There is a video laboratory, a cinema with 33 places.
The scene will be in a different place, in different modules,
where you can make different scenographies.
One of the things that I have defined and that I think will happen
is a project called Simple Studio.
There are three or four photos in practice.
We have the ambition to make a photography studio
that will be free and accessible as a technical equipment
for all the young photographers who want to develop it.
We will give the opportunity with the absolutely full equipment
of this photography studio that we are making
and, accordingly, our personal time around this studio
with various talents who can shoot there, work with models
in a different way.
We will guarantee some form of development,
of professional services,
of participation in technical photography,
of various courses,
of recording with which we will contact the parents.
The people in Bulgaria do not know where they come from,
they do not have a place to be in fact.
The theatres in Bulgaria, or in Sofia,
are made by themselves.
There are not many people,
it takes a lot of time,
it is very difficult to try the system,
to look at one of the theatres,
to create a presentation, which is a new type of modern theatre.
In some cases, it is not talking about an alternative theatre,
but it is talking about an absolutely modern theatre
that is quite a big factor in Europe,
in Bulgaria, there is absolutely no exception.
And precisely because of the fact that the theatres
work in a completely new and artificial system,
they do not let the young people go.
The development of the stage is not the case
of the development of the stage,
it is more developed from a social point of view,
from a social point of view.
The space that is set up,
is given without knowing,
without forgetting,
to artists,
to organisations,
to turn them into cultural centres,
or to the theatres,
such a practice,
for example, in Amsterdam,
in Germany,
in Slovenia.
It is noteworthy that there is a completely built
main theatre or not the main theatre of the theatre,
because of the fact that it works as a centre,
because the public will not have money for it,
they will not sell it,
they will not be able to afford it,
but the theatre becomes colorful
and in some way,
the public will be able to take care of it.
The voice is given to artists,
to people,
to organisations,
in a different way,
they will not be able to afford it.
I think it will be easy and difficult,
I will start with the difficult one,
I think it will be difficult,
because what you are doing,
is trying to impose
a concept for what culture is,
which is very different
from the idea of culture,
with which institutions work,
which will eventually be built for it,
and so on.
I hope it will be,
because I think the idea would be different,
and I hope that there will be a lot of people
who will include it in a different way,
and that they will be able to do it,
with what they can do,
with what they can do.
I think it will be a very important centre,
it is not a question of money,
it is a question of the public,
because it is a big project,
and it is a question of where
how many companies are working
in the future,
to what extent are we moving forward.
How will you help others?
Will you help me?
How will you help your friends?
In order to travelặt,
instead of just hello,
they have toestic oil,
instead of uiters.
In fact, something that can be done with the help of the companies.
Something that can be done with the help of the company,
is to create the foundation for movement.
Sofia is such a city that there are different cities that are fast.
Sofia is not only fast but also nervous.
There are fast cities that are very crowded.
Those who are fast, they are not depressed.
While Sofia is in such a phase where they are almost depressed.
It would be better if there was some kind of action,
and this cultural center would have a place for such a type of relaxation.
It has been in service for a long time.
It is absolutely impossible to create a new place for me.
Aggressive, I would say.
In which young people fight and create new ideas.
And the new roots that I have in the theater and the program.
And if there is a chance,
that is, it is not done as a policy.
While there is such a place, which would be created as a center for free culture,
it is not a policy to see,
because it is said that the path to a new art,
to a new theater, to a new kind, to new people.
We can be a center for some other people in Bulgaria,
and in principle, we hope that with this idea,
we will try to educate many of our partners,
to start making such things with us and with the world.
There is no way, there is no way.
It is simply that the system, in some way,
determines some of the rules that you have to follow.
And the goal is the need for freedom,
and the need to warm up,
and not to imagine a lot,
with a purely conventional,
somehow imposed, already early.
There are no aesthetic boundaries,
there are no aesthetic limitations,
but there are ethical rules.
Because for me, this place is very communicative,
it is very concentrated,
it is a place for people who do not want to do the same.
These various laboratories
can easily happen with modern art,
how do they teach it?
The good thing about this center
is precisely because of this,
to create a communicative environment for art,
to get used to it,
as a wine, to create an impulse.
Many people really want to see it somewhere,
and some people see it,
and this is precisely this commercial type of art,
which makes art because of art itself.
And if we do not save the process,
if we do not have the freedom,
I am not quite sure about the resources
of the wine industry,
the wine industry, this for a short period of time,
will disappear.
I think it will be lost in the future.
I am very happy,
I will continue to shoot films,
I will continue to shoot films,
I will continue to fight for some independent
theater projects,
but I think that,
because I think that,
if we gather together,
because the foundation is not here,
but it is something that is very important
in my life,
as it turned out.
And in the beginning,
I think that we will not be able to go back.
I am very optimistic about the city.
I am convinced that there are people
who will really enjoy the freedom of the city,
because they will really say
that this is the moment.
One way in the city of Petrel would be
to gather all the energy,
strength and energy
that the city does not have,
and the city does not have a channel
in which it will disappear.
I am convinced that one of the big potentials
in the city will be
that they will try to kill people.
And they will try to kill people
without looking at the borders.
Is that it?
They did not even think that there would be anything.
They just thought that
they did not want to get involved
in this kind of thinking
because they are interested in
political and social.
They just need to look
at the freedom of the idea.
Of course, they are asking me
to do this.
Thank you very much.
