You
I started with the violin, in fact, an unusual thing, at the age of 3 years, 3, 4, 1,
I played the piano and the violin, then I quickly exchanged the violin for the cello,
after 6 months of violin, I don't know, and to study with my mother until my entry
to the Paris Conservatory at Philippe Muller.
So, in fact, my mother was my tutor until the entry to the Conservatory for the
higher grades.
First of all, there is the piece of Popper's Fantasie on a Russian theme.
Of course, all cellist violins know themselves as Popper.
They grew up in the supply of all these studies, 40 studies.
So, it's a piece that is ultimately not very well known, not very played in Europe.
In fact, I discovered it three years ago by recording of Jenoch Tarker.
And right away, I liked this piece.
I wanted to work on it, and then, since then, I play it almost every year.
I think he played a lot of traditional songs coming from Eastern Europe.
He also played a little mix, and we find a lot of motifs that he plays in his studies.
So, it's a bit of an embodiment, perhaps, of all these studies.
A little waltz from Tchaikovsky that I think everyone knows.
The natural melody is magnificent.
I'm very honored to be here.
I had done the Civalpe de Casales as a student for two consecutive years.
And I must say that coming back here as Adami's revelation,
it brings another point of view, another.
I'm really honored, and I'm very happy to be here.
Tchaikovsky's Civalpe de Casales
