ʰᵇʰᵇʰᵇʰᵇʰᵇʰᵇʰᵇʰᵇʰᵇʰᵇʰᵇʰᵇʰᵇʰʰᵇʰʰ
ʰᵃʰᵃʰᵇʰᵇʰᵇʰᵇʰᵇʰᵇʰᵇʰᵇʰᵇʰᵇʰʰ
We are a group of people who work in communities, in groups, determined people, and try to extract an aesthetic experience.
We do not work with the basis, we go to explain this or we go to communicate this, but we want to generate at least an experience.
That the participants that we are in the scene have an experience and that the viewers have an experience when they come in contact with us.
We live in the community, there is no person at the beginning who takes the unique direction, but we live in the community.
This is a common thing, and for another work with the human collective that we work with, we also actively participate in the creation.
We are one of the participants of the ALIP, who know the director of the festival Fesenchapo.
It would be that we want to work with some collective, and he proposed to come here to Resilience El Rados to work with users here in the center.
And do, and open the festival with a spectacular performance experience, as they want to say, with people here in El Rados.
We were told that if we want to collaborate with this project, we must say yes, because we have always been open to do things,
and we would like to open the festival around El Rados, and we know that there are many cities in El Siadaradri that want to do these things.
Vish Computer
laugh
Only because of how Marylade was, as it is now with people in El Gran, there are a little bit of interest, and hearing.
Not just because you want to, but it is too physical,
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There is an energy and a vitality that is not seen in the background.
And I think it will be transmitted.
The people who come to see this energy, this desire to live,
this knowledge that they have, the experience of so many years,
that this comes out in a way of the other expression
and I think it is wonderful, it is very nice, that they have a very important face, the society.
A respect like that, that they have.
But they do not interact with this kind of people.
I think that and I can get here, it is wrong.
Because I say, when you see that this can not be removed from the campaign,
because we have experience.
This here, two, three years, this is what I see.
I think it is inevitable.
I have an idea of ​​what it is to be great,
that perhaps after the practice,
in the youth, the reality is that many things are not what you thought.
That they have many more capacities than you could imagine
in a principle, when you see them walking in the taqataka, for example,
you think that the pain or the history of a body,
like this, it will have some limitations that are very different
or give color to the expression that you do not imagine.
And it is very nice,
because they are people who have a lot of stories, of experience.
And that they have a lot of joy to live.
And this, of course, is the most important constant,
for the young people.
What advice do you give to young people?
That you take everything very calmly.
It does not mean that you do not do anything,
that you think well before doing things.
And one of the things that I would tell you to think,
is that you do not think well before doing things.
Many people are not very rich.
Sometimes with theality or with the dynamism of our daily life
we disconnect from ourselves, from our own humanity,
we see the misery that is in the face of time and we lose our sensitivity.
I think that this work is a bit to recover this sensitivity.
Well, i don't just speak for the people we're shooting,
but we are talking with the ones we are working with.
We want to roll with sensitivity
so we recognize humankind and correct humanity.
Well, f bounced�量 mar ama
To find, in the artistic part
in that process,
aлю tuning like sponge.
Tempo is to say, the time that the people are working with, the people around us, in this case it is a very quiet time where there is no pressure, where there is no anxiety to want anything,
and the other thing is to trust, to learn to trust, I do not have the pressure that the people are coming out, but to trust that they or all of us have gone to find a common language in this case and that one day it appears,
we begin to talk about all the same, this language that we have created and success, things unexpected and very magical,
and then this trust and a different time, come here is like the yard of the world and where if you give in, it is very magical.
Love, love is sincerity, love for me is this, yes, yes, yes, yes, always yes.
Friends, if you call me a female speaker, when would you be happy?
If only I could use difficult words as they say in the Rapp arteries, Rapp Bangs.
谢谢!
感谢!
你很
感谢!
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හාවුවි මෙවෝට්න්න්න්න්න්න්න්න්න්න්න්න්න්න්න්න්න්න්න්සමාවේ්න්න්ස්න්න්න්න්න්න්න්න්න්න්න්සසන්ස්න්සෙිවේ්න්න්නසන්න්න්ස
